Did the Axis Have Any Funny Animals? – WWII history from Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.  

• SEE BOTTOM: At Fred’s request, a gallery of rare book illustrations from Van den Vos Reynaerde was scanned for this post by the UCRiverside Library.
• Animal fables traditionally tell morals – this article shows a historically fascinating misuse of anthropomorphism for fascist and Social Darwinist goals.
• “Dear Patch; This is basically rewritten from my article for Flayrah, Retrospective: Talking Animals in World War II Propaganda.“

Did the Axis Have Any Funny Animals?

Yes. Whether the Nazis and Italians did is technically debatable, but the Japanese certainly did.

(Oops! I am reminded that many younger people today do not know what “the Axis” was. “The Enemy” during World War II. Nazi Germany and Fascist Italy signed a mutual defense treaty on October 25, 1936 that Italy’s Benito Mussolini described in a speech on November 1 as putting Europe on a Rome-Berlin axis. Imperial Japan joined in 1937. On September 27, 1940, Germany, Italy, and Japan signed a Tripartite Pact and formally declared themselves the “Axis powers”. They were joined during the next month by Hungary, Romania, and Slovakia. “The Axis” during World War II meant Germany, Italy, Japan, and their allies.)

There were more funny animals assigned to them by American cartoonists for anti-Axis propaganda than there were of their own. The best-known today are probably the Leon Schlesinger/Warner Bros. animated short cartoons The Ducktators and Scrap Happy Daffy, and MGM’s Blitz Wolf.

In The Ducktators, directed by Norm McCabe and written by Melvin Millar, released on August 1, 1942, Adolf Hitler and the Nazis are ducks, Benito Mussolini is a goose, and “the Jap” (a stereotypical “Jap”) is presumably also a duck (although he looks more like a coot).

Scale’s paintings push the limits of furry art, with surprising mainstream crossover.

by Patch O'Furr

(NSFW – nude paintings below!)

In “Furry Good Ideas“, Scale commented on my suggestion about starting a Furry art gallery: 

Not sure if the times are ripe for a dedicated furry art gallery, but for what it’s worth I’m having some success entering furry paintings in local art shows… I’m also making a bet that a market niche for paintings actually exists within the the fandom and that a decent number of fans would like to own furry art which can be displayed alongside other kinds of art. The results are very encouraging so far.

The article was meant to encourage feedback like this, revealing a cool new story. Nice to meet you, Scale!

Scale does classical style anthropomorphic figure painting.  Public display of his work puts him in a favorite focus of this blog: crossover.  He isn’t just showing regular fantasy art to the public, either.  It’s both painterly, and super hot!  It’s the best of both worlds.  Look at the dragoness below… the attitude, the pose, the voluptuous sculpted butt… excuse me while I fan my face for a minute.

Yeah.

I’m happy to share this as a nice surprise to the chairman of Eurofurence.  He commented on my article about Biohazard’s crossover art stunt:

We’re seeing a little subcultural eruption, from as far across the line of “low art” as you can get.  Scale’s art is pushing limits.  His cool, thoughtful style speaks of Old Master sensibility, but the hot-blooded subjects are a weird combination that makes sparks.  Isn’t that what art is for?  The way people respond to it brings interesting thoughts about art meaning:

The bunny painting was accepted in the show without any problem. I keep finding evidence that most non-furries don’t read a picture like that one as a sexy pinup… I suspect most people just see it as a parody of human nudes.

OK, it’s sexy to furry fans (5,000 on his popular FurAffinity account), but he thinks it doesn’t communicate like that to the “normal” public.  Is that a failure?  Would they show it if it doesn’t speak to them?  It has to work as simply good painting.  It’s an example for furry artists: don’t make good furry art – make good art.